Local Music in Curitiba (Paraná, Brazil) and the Impacts Generated by the COVID-19 Pandemic

Authors

  • Gabriel Barth da Silva Universidade Federal do Paraná
  • Nicolas Fish Garcia Universidade Federal do Paraná

DOI:

https://doi.org/10.1558/

Keywords:

Music Scene, Covid-19, Independent Music, Brazilian Music

Abstract

This article is an exploratory study of the local music scene in the city of Curitiba in the state of Paraná, in Brazil, and the impact Covid-19 has had on local musicians. A case study was carried out, in which three participants answered a semi-structured interview on how the dynamics between musicians and concert-goers have changed during the pandemic. The participants were selected using purposeful sampling and a thematic analysis was conducted through data interviews that were transcribed and analysed. It was possible to note how the music scene crosses different spheres of the lives of its participants, how their social lives and connections with the city are related to local music, and how the pandemic directly affected this consumption, mainly from the difficulties arising from transitioning the local experience to the digital world.

Author Biographies

  • Gabriel Barth da Silva, Universidade Federal do Paraná

    Gabriel Barth da Silva is a PhD student in Sociology at the Federal University of Paraná, Brazil. He participates as a fellow in the Social Demand Program of the Coordination for the Improvement of Higher Education Personnel (CAPES, Brazil). He conducts investigations into musical practices, urban studies and emotions.

  • Nicolas Fish Garcia, Universidade Federal do Paraná

    Nicolas Fish Garcia received a Bachelor’s degree in music from Universidade Federal do Paraná and a Master’s degree in music psychology from Universidade Federal do Paraná. He is currently researching music creation in early childhood education. He is interested in composition, education and the dynamics of local music scenes.

References

Bayeh, Rebeca, Maya A. Yampolsky and Andrew G. Ryder. 2021. “The Social Lives of Infectious Diseases: Why Culture Matters to COVID-19”. Frontiers in Psychology 12: 1–21. https://doi.org/10.3389/fpsyg.2021.648086

Becker, Howard S. 1974. “Art as Collective Action”. American Sociological Review 39/6: 767–76. https://doi.org/10.2307/2094151

Becker, Howard S. 2008. Art Worlds: Updated and Expanded. Los Angeles: University of California Press.

Bennett, Andy and Richard A. Peterson. 2004. Music Scenes: Local, Translocal and Virtual. Nashville, TN: Vanderbilt University Press. https://doi.org/10.2307/j.ctv17vf74v

Bottà, Giacomo. 2020. Deindustrialisation and Popular Music: Punk and ‘Post-punk’ in Manchester, Düsseldorf, Torino and Tampere. Lanham, MD: Rowman & Littlefield.

Bourdieu, Pierre. 1996. The Rules of Art: Genesis and Structure of the Literary Field. Redwood City, CA: Stanford University Press. https://doi.org/10.1515/9781503615861

Bourdieu, Pierre. 2019. Questões de Sociologia. Translated by Fábio Creder. Petrópolis: Vozes.

Boyatzis, Richard E. 1998. Transforming Qualitative Information: Thematic Analysis and Code Development. Thousand Oaks, CA: Sage.

Braun, Virginia and Victoria Clarke. 2006. “Using Thematic Analysis in Psychology”. Qualitative Research in Psychology 3/2: 77–101. https://doi.org/10.1191/1478088706qp063oa

Estivalet, Felipe Viana. 2020. “Virtuosismo Da Escuta e Produção De Introspecção”. In Poderes Do Som: Políticas, Escutas e Identidades, edited by José Cláudio S. Castanheira, Dulce Mazer, Pedro Silva Marra, Marcelo Bergamin Conter, Cássio de Borba Lucas and Mario Arruda, 213–31. Florianópolis: Editora Insular.

Finnegan, Ruth H. 2013. The Hidden Musicians: Music-Making in an English Town. Middletown, CT: Wesleyan University Press.

Florenzano, Antônio Carlos Persegani. 2019. “O charme chulo do rock de Curitiba no jornalismo cultural independente do Brasil no século xXI”. MA diss., Universidade Tuiuti do Paraná.

Galletta, Thiago. 2016. Cena musical paulistana dos anos 2010: a “música brasileira” depois da Internet. São Paulo: Annablume.

Hall, Stuart. 2006. A identidade cultural na pós-modernidade. Translated by Tomaz Tadeu da Silva and Guacira Lopes Louro. Rio de Janeiro: TupyKurumin.

Hennion, Antoine. 2011. “Pragmática do gosto”. Desigualdade & Diversidade–Revista de Ciências Sociais da PUC-Rio, 8: 253–77.

Latour, Bruno. 2012. Reagregando o social: uma introdução à teoria do ator-rede. Translated by Gilson César Cardoso de Souza. Salvador: Edufba.

Macan, Paulo Afonso Chaves. 2020. “Rock em Curitiba: a cena musical, seus agentes, espaços, e relações com as inovações digitais entre 2005 e 2019”. MA diss., Universidade Federal do Paraná.

Patton, Michael Quinn. 1990. Qualitative Evaluation and Research Methods. Newbury Park, CA: Sage.

Prudencio, Kelly and José Geraldo Junior. 2013. “Curitiba também tem periferia: a comunicação multiterritorial do hip-hop”. Contemporânea 11/1: 80–91.

Silva, Gabriel Barth da. 2021. “A Cultura do Ruído: A Expressividade na produção musical independente em Curitiba”. Revista Eletrônica de Música da UFAL, 1/5 (November): 51–68.

Silva, Gabriel Barth da. 2022. “Recuperando o local: cenas musicais curitibanas e reconfigurações identitárias”, MA diss., Universidade do Porto.

Silva, Tomaz Tadeu da Silva. 2000. “A produção social da identidade e da diferença”. In Identidade e diferença: a perspectiva dos estudos culturais, edited by Tomaz Tadeu da Silva, 73–102. Petrópolis: Vozes.

Small, Christopher. 1998. Musicking: The Meanings of Performing and Listening. Hanover: University Press of New England.

Woodward, Kathryn. 2000. “Identidade e diferença: uma introdução teórica e conceitual”. In Identidade e diferença: a perspectiva dos estudos culturais, edited by Tomaz Tadeu da Silva, 7–72. Petrópolis: Vozes.

Yin, Robert K. 2001. Estudo de caso: planejamento e métodos. Translated by Daniel Grassi. Porto Alegre: Bookman.

Interviews

Alessandra. Interview by author. Online recording. Curitiba, 12 June 2021.

Bruno. Interview by author. Online recording. Curitiba, 17 June 2021.

Lucas. Interview by author. Online recording. Curitiba, 5 October 2021.

Published

2024-01-03

Issue

Section

Articles

How to Cite

Barth da Silva, G., & Garcia, N. F. (2024). Local Music in Curitiba (Paraná, Brazil) and the Impacts Generated by the COVID-19 Pandemic. Journal of World Popular Music, 10(2), 188–207. https://doi.org/10.1558/