Lee Marshall, ed. 2013. The International Recording Industries. New York and London: Routledge. 222pp. ISBN 978-0-415-60345-4 (hbk)

Authors

  • Matt Stahl University of Western Ontario

DOI:

https://doi.org/10.1558/jwpm.v1i2.26616

Keywords:

globalization, music industry, political economy, recording industry

Abstract

Lee Marshall, ed. 2013. The International Recording Industries. New York and London: Routledge. 222pp. ISBN 978-0-415-60345-4 (hbk)

Author Biography

Matt Stahl, University of Western Ontario

Matt Stahl is Associate Professor, Information and Media Studies at the University of Ontario.

References

Marshall, Lee. 2012. “The 360 Deal and the ‘New’ Music Industry”. European Journal of Cultural Studies 16/1: 77–99. http://dx.doi.org/10.1177/1367549412457478

—2013. “The Structural Functions of Stardom in the Recording Industry”. Popular Music and Society 35/5: 578–96. http://dx.doi.org/10.1080/03007766.2012.718509

Meier, Leslie. 2013. “Promotional Ubiquitous Musics: New Identities and Emerging Markets in the Digitalizing Music Industry”. PhD dissertation, University of Western Ontario—Electronic Thesis and Dissertation Repository. Paper 1096. http://ir.lib.uwo.ca/etd/1096

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Published

2015-03-04

How to Cite

Stahl, M. (2015). Lee Marshall, ed. 2013. The International Recording Industries. New York and London: Routledge. 222pp. ISBN 978-0-415-60345-4 (hbk). Journal of World Popular Music, 1(2), 211–216. https://doi.org/10.1558/jwpm.v1i2.26616

Issue

Section

World Music