Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music

Authors

  • Katelyn Barney The University of Queensland

DOI:

https://doi.org/10.1558/jwpm.v1i2.21075

Keywords:

human rights, political action, resistance, social change, world music

Abstract

Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music. Burlington: Ashgate. 218pp. ISBN 978-1-4094-6405-1 (hbk)

References

Appleford, Steve. 2014. “Pussy Riot Uncowed after Jail”. http://www.stuff.co.nz/entertainment/music/9953524/Pussy-Riot-uncowed-after-jail (accessed 17 April 2014).

Cusick, Suzanne. 2006. “Music as Torture/Music as Weapon”. Revista Transcultural de Musica Transcultural Music Review 10. http://www.redalyc.org/articulo.oa?id=82201011 (accessed 19 April 2014).

Ingle, Róisín. 2014. “The Ann Lovett Letters: Sorrow, Shame, Anger and Indignation”.

The Irish Times, 31 January 2014. http://www.irishtimes.com/life-and-style/people/the-ann-lovett-letters-sorrow-shame-anger-and-indignation-1.1673920 (accessed 20 March 2014).

Johnson, Bruce and Martin Cloonan. 2009. Dark Side of the Tune: Popular Music and Violence. Burlington: Ashgate.

Wong, Deborah. 2009. “An Ethnomusicology of Hope in a Time of Trauma”. In Musical Islands: Exploring Connections between Music, Place and Research, edited by Elizabeth Mackinlay, Brydie Bartleet and Katelyn Barney, 3–19. Cambridge: Cambridge Scholars Press.

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Published

2015-03-04

Issue

Section

World Music

How to Cite

Barney, K. (2015). Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music. Journal of World Popular Music, 1(2), 207-210. https://doi.org/10.1558/jwpm.v1i2.21075