Andrew F. Jones. 2020. Circuit Listening: Chinese Popular Music in the Global 1960s
DOI:
https://doi.org/10.1558/jwpm.21308Keywords:
China, Taiwan, Popular Music, Hong Kong, 1960sAbstract
Andrew F. Jones. 2020. Circuit Listening: Chinese Popular Music in the Global 1960s. Minneapolis, MN: University of Minnesota Press. ix + 304pp. ISBN 978-1-5179-0207-0 (pbk)
References
Hsiung, Yi-ping. 2020. Women de yaogunyue [Our Rock and Roll]. Taipei: Youji wenhua.
Jones, Andrew F. 1992. Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music. Ithaca, NY: East Asia Program, Cornell University.
Jones, Andrew F. 2001. Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age. Durham, NC: Duke University Press. https://doi.org/10.1515/9780822380436
Shih, Shu-mei. 2007. Visuality and Identity: Sinophone Articulations across the Pacific. Berkeley: University of California Press. https://doi.org/10.4000/chinaperspectives.2713
Wilcox, Emily. 2020. “When Folk Dance Was Radical: Cold War Yangge, World Youth Festivals, and Overseas Chinese Leftist Culture in the 1950s and 1960s”. China Perspectives 120/1: 32–42. https://doi.org/10.4000/chinaperspectives.9947
