“Sounding” the System

Noise, In/Security and the Politics of Citizenship

Authors

  • Sonjah N. Stanley Niaah University of the West Indies (UWI)

DOI:

https://doi.org/10.1558/jwpm.43087

Keywords:

noise, dancehall culture, sound system, resistance, citizenship, music, dancehall music, Jamaica

Abstract

The instruments of nation, their creators and enforcers (the system) in the postcolonial Caribbean have never been favourable in their intentions toward the way the masses have lived and had their being. In various sectors of life, particularly entertainment, little or no space was made available through this system which included legislative suppression tantamount to cultural erasure. However, another system emerged. Blacks have always had their bodies, creating sounds, often significantly amplified, in contravention of the system supported by state laws. Accounting for systems of eradication which surrounded black entertainment, this article foregrounds the sound system as representation. Sound is used as a signifier, mobilized in opposition to the politics of “noise” and thus an act—as in “sounding”, a verb, a philosophy of doing, of resistance, much like “grounding”. “Sounding” is articulated as a practice, a form of productive labour, complementary to the labour of citizenship, of nation-building, and celebration of the human. Drawing on examples from Jamaica, and located at the intersection of cultural history, cultural geography, and cultural studies more broadly, this article continues exploration of Black Atlantic performance geography by placing entertainment practice in a wider comparative and analytical field at the heart of sound revolutions across the African Diaspora.

Author Biography

Sonjah N. Stanley Niaah, University of the West Indies (UWI)

Sonjah Stanley Niaah is a Senior Lecturer in Cultural Studies at the UWI, Mona Campus. She is a leading author, teacher and researcher on Black Atlantic performance geographies, popular culture and the sacred, and Caribbean cultural studies more broadly. Stanley Niaah is the author of Reggae Pilgrims: Festivals and the Movement of Jah People (Rowman and Littlefield, forthcoming), Dancehall: From Slave Ship to Ghetto (University of Ottawa Press, 2010), and editor of Dancehall: A Reader on Jamaican Music and Culture (University of the West Indies Press, 2020).

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Published

2021-08-13

How to Cite

Stanley Niaah, S. N. (2021). “Sounding” the System: Noise, In/Security and the Politics of Citizenship. Journal of World Popular Music, 8(1), 51–73. https://doi.org/10.1558/jwpm.43087

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Section

Articles