Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues by Vic Hobson. 2014.

Authors

  • Mathilde Zagala Université Paris-Sorbonne

DOI:

https://doi.org/10.1558/jwpm.40968

Keywords:

early jazz, blues, New Orleans, Buddy Bolden, Bunk Johnson, barbershop harmony

Abstract

Vic Hobson. 2014. Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues. Jackson, MS: University Press of Mississippi. 176pp. ISBN 978-1-61703-991-1 (hbk).

Author Biography

Mathilde Zagala, Université Paris-Sorbonne

Mathilde Zagala, Doctor in Musicology, Université Paris-Sorbonne, France.

References

Abbott, Lynn. 1992. “‘Play That Barber Shop Chord’: A Case for the African-American Origin of Barbershop Harmony”. American Music 10/3: 289–325 https://doi.org/10.2307/3051597. DOI: https://doi.org/10.2307/3051597

Chevan, David. 1997. “Written Music in Early Jazz”. PhD dissertation. City University of New York.

Goffin, Robert. 1946. La Nouvelle-Orléans, capitale du jazz. New York: La Maison Française.

Hancock, Colin. 2015. “The Bolden Cylinder Project”. The Jazz Archivist 28: 26–37.

—2019. “What Did Buddy Bolden’s Band Sound Like?” The Syncopated Times, 18 March. https://syncopatedtimes.com/what-did-buddy-bolden-sound-like/.

Hardie, Daniel. 2002. Exploring Early Jazz: The Origins and Evolution of the New Orleans Style. Lincoln, NE: Writers Club Press.

—2007. The Birth of Jazz: Reviving the Music of the Bolden Era. Bloomington, IN: iUniverse.

—2010. The Loudest Trumpet: Buddy Bolden and the Early History of Jazz. Bloomington, IN: iUniverse.

—2014. “Vintage Recordings and the Bolden Repertory”. Daniel Hardie Jazz History Blog, 5 October. https://darnhard.blogspot.com/.

Lewis, Steven. 2014. “Marsalis Plays Bolden: Wynton Marsalis and the First Man of Jazz”. “Beyond Jazz Borders”, 3rd annual Rhythm Changes conference, Amsterdam, 4–7 September.

Lyttleton, Humphrey. 1986. Gonna Call My Children Home: The World of Buddy Bolden (LP). London: Calligraph. CLG LP 013.

Marquis, Donald M. 2007 [1978]. In Search of Buddy Bolden, First Man of Jazz. Revised 2nd edn. Baton Rouge: Louisiana State University Press.

Marsalis, Wynton. 2014. “New Orleans: The Birth of Jazz”. Lecture Performance at Sanders Theatre, 30 January. Cambridge, MA: Harvard University. https://www.youtube.com/watch?v=92-F5DSyiqA; https://www.youtube.com/watch?v=4BkEuZ0Ozps.

Pritzker, Dan. 2019. Bolden: Where the Music Began. New York: Abramorama.

Ramsey Jr., Frederic, and Charles Edward Smith. 1985 [1939]. Jazzmen. New York: Limelight Editions.

Rena, Henry “Kid”. 1940. Panama; Gettysburg March (A master); Gettysburg March (B master); Lowdown Blues; High Society; Milenburg Joys; Clarinet Marmalade; Weary Blues; Get It Right (78s). 21 August. New Orleans: Delta. 800–807.

Sager, David. 2010. “The Buddy Bolden Cylinder Meltdown: Presaging the Jazz Band on Record”. ARSC Conference, New Orleans, 20 May.

—2013. “Refining the Buddy Bolden Legacy”. Seminar at the Old U.S. Mint. 13th annual Satchmo SummerFest, New Orleans, 4 August.

—2014. “The Elusive Buddy Bolden”. Post on Library of Congress’s blog “Now See Hear!” 6 November. https://blogs.loc.gov/now-see-hear/2014/11/the-elusive-buddy-bolden/.

Spaeth, Sigmund. 1925. Barber Shop Ballads: A Book of Close Harmony. New York: Simon & Schuster.

—1940. Barber Shop Ballads and How to Sing Them. New York: Prentice-Hall.

Zur Heide, Karl Gert. 1994. “Who Was the Leader of Charles Bolden’s Orchestra”. New Orleans Music 5/2: 6–10.

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Published

2020-10-13

How to Cite

Zagala, M. (2020). Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues by Vic Hobson. 2014. Journal of World Popular Music, 7(1), 104–109. https://doi.org/10.1558/jwpm.40968

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