Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020.

Authors

  • Hyunjoon Shin Sungkonghoe University

DOI:

https://doi.org/10.1558/jwpm.40990

Keywords:

Ethnomusicology, Cultural Studies

Abstract

Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. Made in Taiwan: Studies in Popular Music. New York: Routledge. 288pp. ISBN 978-0-815-36017-9 (pbk).

Author Biography

  • Hyunjoon Shin, Sungkonghoe University

    Hyunjoon Shin is professor in the Faculty of Social Scientce and the Institute for East Asian Studies (IEAS) at Sunkonghoe University. Having received his PhD with a thesis on the transformation of the Korean music industry, he has carried out broader researches onpopular culture, international migration, and urban space in Korea and East Asia. His papers appear in Positions: East Asia Cultures Critique, Popular Music, Inter-Asia Cultural Studies, City, Culture and Society et al.  He has also been directly or indirectly involved in indie music scene in Hongdae, Seoul since its inception in the mid-1990s.

References

Guy, Nancy. 2011. “Review of Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations by Marc L. Moskowitz”. Perfect Beat 12(2): 191–93.

Ho, Tung-Hung, Hui-Hua Cheng and Yue-Quan Luo, eds. 2015. Zaoyin fantu [Altering Nativism: Sound Culture in Postwar Taiwan]. Taipei: Walkers Cultural Enterprise.

Mitsui, Toru, ed. 2014. Made in Japan: Studies in Popular Music. New York: Routledge. https://doi.org/10.4324/9780203384121

Moskowitz, Marc L. 2010. Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations. Honolulu: University of Hawai’i Press. https://doi.org/10.21313/hawaii/9780824833695.001.0001

Rigger, Shelley. 2013. Why Taiwan Matters: Small Island, Global Powerhouse. Plymouth, UK: Rowman and Littlefield.

Shin, Hyunjoon, and Seung-Ah Lee, eds. 2017. Made in Korea: Studies in Popular Music. New York: Routledge. https://doi.org/10.4324/9781315761626

Weintraub, Andrew N., and Bart Barendregt. 2017. “Re-Vamping Asia: Women, Music, and Modernity in Comparative Perspective”. In Vamping the Stage: Female Voices of Asian Modernities, edited by Andrew N. Weintraub and Bart Barendregt, 1–39. Honolulu: University of Hawai’i Press. https://doi.org/10.2307/j.ctvvmxv2.3

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Published

2020-10-13

Issue

Vol. 7 No. 1 (2020)

Section

Reviews

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Shin, H. (2020). Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. Journal of World Popular Music, 7(1), 95-99. https://doi.org/10.1558/jwpm.40990