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• Music in German Silent Cinema Reception in the Film Trade Press 1907-1925

  Carolin Beinroth, Claudia Bullerjahn

  21-35

  2019-09-09

• Guest Editorial

  Alessandro Cecchi, Maurizio Corbella

  5-12

  2019-09-09

• Early German Sound Sourcing with Songs in the Trilogy of the Mackeben-Jugo-Engel Ensemble

  Gregg Wager

  21-51

  2017-05-03

• Setting the Tone of the Southern Question Music and/as Fatalism in Italian Cinema of the Economic Miracle

  Maurizio Corbella

  32-50

  2019-09-09

• “The Meaning of Romance” Popular Song and Historical Narrative from Arthurian Literature to American Graffiti

  J. Rubén Valdés-Miyares

  53-76

  2017-05-03
• 

  The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s

  Alessandro Cecchi

  89-108

  2019-09-09

• Caryl Flinn: The New German Cinema: Music, History, and the Matter of Style Berkeley. University of California Press, 2004 [viii, 323 p. ISBN: 0-520-22895-2]

  Anjelica Fenner

  448-457

  2009-06-19

• Of Gods and Monsters Signification in Franz Waxman's film score Bride of Frankenstein

  Clive McClelland

  5-19

  2017-05-03