Anahid Kassabian: Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music</i>. New York and London: Routledge, 2001 [viii, 189 p. ISBN: 0415928532]

Authors

  • James Wierzbicki

DOI:

https://doi.org/10.1558/jfm.v1i4.460

Keywords:

film music

Author Biography

James Wierzbicki

Kassabian was an associate professor of communications and media studies at Fordham University and a participant in that school’s programs in both literary studies and women’s studies. She is now the James and Constance Alsop Chair of Music at the University of Liverpool.

References

Adorno, Theodor W. 2002. Essays on music: Selected, with introduction, commentary, and notes by Richard Leppert; New translations by Susan H. Gillespie. Berkeley: University of California Press.

Gorbman, Claudia. 1987. Unheard melodies: Narrative film music. Bloomington: Indiana University Press.

Hagen, Earle. 1971. Scoring for films: A complete text. New York: Criterion Music Corp.

Hanslick, Eduard. 1854. On the musically beautiful: A contribution toward the revision of the aesthetics of music. Trans. Geoffrey Payzant. Indianapolis: Hackett Publishing Company, 1986.

Kalinak, Kathryn. 1992. Settling the score: Music and the classical Hollywood film. Madison: University of Wisconsin Press.

Downloads

Published

2009-06-19

How to Cite

Wierzbicki, J. (2009). Anahid Kassabian: Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music</i>. New York and London: Routledge, 2001 [viii, 189 p. ISBN: 0415928532]. Journal of Film Music, 1(4), 460–463. https://doi.org/10.1558/jfm.v1i4.460

Issue

Section

Reviews

Similar Articles

<< < 3 4 5 6 7 8 9 10 11 12 > >> 

You may also start an advanced similarity search for this article.