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• Historical overview of the development of jazz in Portugal, in the first half of the twentieth century

  Pedro Cravinho

  75-108

  2016-07-25

• Tom Pickering Jazz on the periphery of the periphery

  Matthew Joshua Boden

  109-125

  2016-07-25

• Social constructions of ‘authenticity’ and the sounds of the Kid Thomas Valentine Band The case of ‘Basin Street Blues’—an approach from sociological musicology and cultural studies

  Richard Ekins

  107-144

  2016-08-23

• Editorial Jazz in Australasia

  Bruce Johnson

  5-22

  2015-06-16

• The reception of jazz in Adelaide and Melbourne and the creation of an Australian sound in the Angry Penguins decade

  Bruce Clunies Ross

  91-110

  2015-06-16

• Pathways to sustainability Diversity of programming for audiences in Australian jazz festivals

  Sean Foran

  160–182

  2021-12-16

• ‘A tale of five festivals’ Exploring the cultural intermediary function of Australian jazz festivals

  Brent Keogh

  182-201

  2015-06-16

• Perspectives on the Melbourne International Women's Jazz Festival

  Louise Denson

  163-181

  2015-06-16

• Cuba Street parade Identity, authenticity and self-expression in contemporary Australasian jazz scenes

  Nick Tipping

  111-125

  2015-06-16

• Demons of discord down under ‘Jump Jim Crow’ and ‘Australia’s first jazz band’

  John Whiteoak

  23-51

  2015-06-16

• ‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer

  Karl Neuenfeldt

  202-222

  2015-06-16

• The lost history of jazz on early Australian popular music television

  Liz Giuffre

  126-143

  2015-06-16

• Examining the legend and music of Australian saxophonist, Frank Smith

  Ralph Whiteoak

  223-237

  2015-06-16

• Shotgun weddings and bohemian dreams Jazz, family values and storytelling in Australian film

  Christopher Coady

  144-162

  2015-06-16

• Got a little rhythm? The Australian influence on swing in New Zealand during the 1930s and 1940s

  Aleisha Ward

  71-90

  2015-06-16

• Expressive identity in the voices of three Australian saxophonists McGann, Sanders and Gorman

  Sandy Evans

  257-276

  2015-06-16

• Editorial The Global Circulations of Jazz

  Stéphane Dorin

  5-12

  2016-07-25

• Lydia in Oz The reception of George Russell in 1960s Australia

  Pierre-Emmanuel Seguin

  238-256

  2015-06-16

• Sex and the sonic smorgasbord The Necks—extending the ‘jazz’ piano trio format

  Jane Galbraith

  277-295

  2015-06-16

• The ‘grave disease’ interwar British writers look at ragtime and jazz

  Robert Lawson-Peebles

  23-40

  2014-10-07

• ‘They’ve really gone to town with all that bunting’ the influence and (in)visibility of Glasgow’s Jazz Festival

  Alison Caroline Eales

  9-21

  2014-10-07

• Editorial

  Sarah Raine, Emily Jones

  101–106

  2021-12-16

• Editorial Transnational perspectives on jazz

  Catherine Tackley, Tony Whyton

  109-111

  2013-12-19

• Early jazz in Australia as oriental exotica

  Aline Scott-Maxwell

  52-70

  2015-06-16

• Free jazz A concept poem

  Maurice Windleburn

  132–135

  2022-12-20

• Hip Nostalgia Jazz and the Politics of Representation in Three Dramedies

  Gabriel Solis

  138-162

  2019-09-20

• ‘No radical critique ever comes from the centre’ Interview with Professor Bruce Johnson

  Adam Havas

  79–89

  2021-03-27

• Editorial

  Catherine Tackley, Tony Whyton

  109-110

  2018-10-04

• Bernie McGann and Bundeena Mythologizing an Austral jazz icon

  Andrew Robson

  177-201

  2018-10-04