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• Cooling down jazz Making authentic Swedish jazz possible

  Mischa van Kan

  35-53

  2016-07-25

• The impact of (jazz) festivals An Arts and Humanities Research Council-funded research report

  Emma Webster, George McKay

  169-193

  2016-08-23

• Post-World War II Jazz in Britain Venues and Values 1945–1970

  Katherine Ann Williams

  113-131

  2014-10-07

• Historical overview of the development of jazz in Portugal, in the first half of the twentieth century

  Pedro Cravinho

  75-108

  2016-07-25

• Way out East cowboys and pioneer women on Berlin's jazz frontier

  William Kirk Bares

  170-200

  2013-12-19

• Frontierism, intellectual listeners and the new European wave On the reception of Dutch jazz in DownBeat, 1960–1980

  Loes Rusch

  62-81

  2015-10-21

• Tom Pickering Jazz on the periphery of the periphery

  Matthew Joshua Boden

  109-125

  2016-07-25

• Editorial Jazz in Australasia

  Bruce Johnson

  5-22

  2015-06-16

• Social constructions of ‘authenticity’ and the sounds of the Kid Thomas Valentine Band The case of ‘Basin Street Blues’—an approach from sociological musicology and cultural studies

  Richard Ekins

  107-144

  2016-08-23

• Gender politics, UK jazz festivals and COVID-19 Maintaining the momentum of change during a time of crisis

  Sarah Raine

  183–204

  2021-12-16

• Becoming a follower of the Merseysippi Jazz Band An approach from ethnography, autoethnography and social world analysis—a study in resocialization

  Richard Ekins

  8-36

  2015-10-23

• ‘We try to have the best’ How nationality, race and gender structure artists’ circulations in the Paris jazz scene

  Myrtille Picaud

  126-152

  2016-07-25

• Cuba Street parade Identity, authenticity and self-expression in contemporary Australasian jazz scenes

  Nick Tipping

  111-125

  2015-06-16

• Jazz in Brazil An Early History (1920s-1950s)

  Anaïs Fléchet

  13-34

  2016-07-25

• ‘We’ve got a gig in Poland!’ Britain and jazz in World War II

  Will Studdert

  79-111

  2014-10-07

• Perspectives on the Melbourne International Women's Jazz Festival

  Louise Denson

  163-181

  2015-06-16

• The gatekeepers’ puzzle Programming diversity and inclusion in a jazz festival

  Michael Allemana

  107–137

  2021-12-16

• Demons of discord down under ‘Jump Jim Crow’ and ‘Australia’s first jazz band’

  John Whiteoak

  23-51

  2015-06-16

• Towards a history of jazz in Greece in the interwar era

  Panagiota Anagnostou

  54-74

  2016-07-25

• Nichole T. Rustin and Sherrie Tucker, eds. Big Ears: Listening for Gender in Jazz Studies. Durham and London: Duke University Press, 2008.

  Lindelwa Dalamba

  89-101

  2013-04-19

• Editorial The Other Jazz

  Tony Whyton, Catherine Tackley

  93-94

  2012-03-28

• Shotgun weddings and bohemian dreams Jazz, family values and storytelling in Australian film

  Christopher Coady

  144-162

  2015-06-16

• ‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer

  Karl Neuenfeldt

  202-222

  2015-06-16

• The sonic camera Intermodality and intermediality in contemporary jazz composition

  David Cosper

  203-237

  2015-04-30

• Duncan Heining, Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975. Sheffield: Equinox, 2012. 495 pp. ISBN 978-1-84553-405-9 (hbk) £29.99/ $45.00.

  Tom Sykes

  132-136

  2014-10-07