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• Rockin’ the jazz biopic changing images of African American musicians in Hollywood biographical films

  Simone Varriale

  27-46

  2013-04-19

• Keep up with the changes online strategies for national jazz agencies

  Andrew Dubber

  47-67

  2013-04-19

• Cooling down jazz Making authentic Swedish jazz possible

  Mischa van Kan

  35-53

  2016-07-25

• The ‘grave disease’ interwar British writers look at ragtime and jazz

  Robert Lawson-Peebles

  23-40

  2014-10-07

• The gatekeepers’ puzzle Programming diversity and inclusion in a jazz festival

  Michael Allemana

  107–137

  2021-12-16

• Way out East cowboys and pioneer women on Berlin's jazz frontier

  William Kirk Bares

  170-200

  2013-12-19

• Frontierism, intellectual listeners and the new European wave On the reception of Dutch jazz in DownBeat, 1960–1980

  Loes Rusch

  62-81

  2015-10-21

• The jazz storyteller Improvisers’ perspectives on music and narrative

  Sven Bjerstedt

  37-61

  2015-10-21

• Historical overview of the development of jazz in Portugal, in the first half of the twentieth century

  Pedro Cravinho

  75-108

  2016-07-25

• The impact of (jazz) festivals An Arts and Humanities Research Council-funded research report

  Emma Webster, George McKay

  169-193

  2016-08-23

• Demons of discord down under ‘Jump Jim Crow’ and ‘Australia’s first jazz band’

  John Whiteoak

  23-51

  2015-06-16

• All the metaphors you are conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road

  Julian Levinson

  69-87

  2013-04-19

• Jam sessions in Manhattan as rituals

  Ricardo Nuno Futre Pinheiro

  129-150

  2013-12-19

• Post-World War II Jazz in Britain Venues and Values 1945–1970

  Katherine Ann Williams

  113-131

  2014-10-07

• On the sunny side of the street Sidestepping race for inclusion at the New Orleans Jazz Fest

  Sonya A. Grier

  205–214

  2021-12-16

• Cuba Street parade Identity, authenticity and self-expression in contemporary Australasian jazz scenes

  Nick Tipping

  111-125

  2015-06-16

• The reincarnation of an Egyptian queen Dystopian lateness and speculation in Nina Simone’s Afrofuturism

  Richard Elliott

  25–50

  2022-12-20

• The reception of jazz in Adelaide and Melbourne and the creation of an Australian sound in the Angry Penguins decade

  Bruce Clunies Ross

  91-110

  2015-06-16

• Editorial The Global Circulations of Jazz

  Stéphane Dorin

  5-12

  2016-07-25

• Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s When the Levees Broke

  Nicholas Gebhardt

  113-128

  2013-12-19

• The two Simones at Montreux

  Rashida K Braggs

  126–131

  2022-12-20

• Editorial Jazz in Australasia

  Bruce Johnson

  5-22

  2015-06-16

• Edward Green, ed. The Cambridge Companion to Duke Ellington. Cambridge: Cambridge University Press, 2014. 294 pp. ISBN 978-0-521-70753-4 (pbk). $29.99

  Katherine Williams

  97-101

  2017-08-02

• Editorial

  Catherine Tackley, Tony Whyton

  5-6

  2013-04-19