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• Not given lightly Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand

  Matthew Bannister

  40-67

  2020-09-22

• ‘Suck more piss’ how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity

  Paul Oldham

  120-139

  2014-01-30

• All the girls in town The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett

  Catherine Strong

  149-166

  2015-09-07

• Electronic dance music, the rock myth, and authenticity

  John Gunders

  147-159

  2013-06-06

• Will you remember Notes on Neil Roberts Day and sites of community memory in Aotearoa punk and hardcore

  Lauren Deacon

  64–69

  2023-01-31

• Seleka’s profane potency Kava artists and rebellious music in Tonga

  Arcia Tecun , Taniela Petelo

  134-154

  2021-07-08

• Ebbs and flows Women as musicians in Perth popular music, 1980s–1990s

  Laura Glitsos

  142-160

  2019-12-04

• From punk to platforms The future echoes of user-generated content found in Fast Forward cassette magazine and Melbourne’s DIY ‘cassette culture’

  Jared Davis

  122-141

  2019-12-04

• ‘Another Day to Swing on Clothes Lines’ The Bee Gees and Australia

  Pat O'Grady

  29-47

  2017-05-03

• Faulk, Barry J., and B. Harrison, eds. 2014. Punk Rock Warlord: The Life and Work of Joe Strummer. Farnham: Ashgate. ISBN 978-1-47241-055-9 (hbk), 978-1-47246-106-3 (pbk). 197 pp.

  André Rottgeri

  190-191

  2017-03-03

• Resist or perish! Understanding the mode of resistance among young DIY Indonesian musicians

  Oki Rahadianto Sutopo , Gregorius Ragil Wibawanto, Agustinus Aryo Lukisworo

  116-133

  2021-07-08

• Experiences and perceptions of gender in the Australian music industry

  Hannah Mary Fairlamb, Bianca Fileborn

  8–39

  2020-09-22

• The social media strategies of punk and metal bands on Instagram during the COVID-19 closures of live music venues in Melbourne

  Al Marsden

  165–172

  2021-12-21

• An annotated interview with Beastwars Language, identity and place in New Zealand metal

  Jessica Kruk, Wesley C Robertson

  5–21

  2023-01-31

• Michael E. Veal and E. Tammy Kim, eds. 2016. 'Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies'

  Nabeel Zuberi

  86-88

  2018-12-29

• An interview with Tiki Taane Expressing cultural heritage and identity through music

  Oli Wilson

  167-174

  2015-09-07

• Tracing the lines of an electronic tattoo The covert operation of Melbourne techno

  Botond Vitos

  51-70

  2015-12-17

• Still 'Rage'-ing Australia’s music video programme at 30

  Liz Giuffre

  32-50

  2018-12-29

• Introduction

  Kirsten Zemke

  113-115

  2021-07-08

• Editorial introduction

  Shelley Brunt, Oli Wilson

  5–7

  2020-09-22

• Johnson, Bruce, ed. 2010. Earogenous Zones: Sound, Sexuality and Cinema. London: Equinox. ISBN 1-8455-3318-6 (pbk). 256 pp.

  Caryl Flinn

  98-100

  2012-11-20

• Watching them walk out taller than they walked in Sydney's venues in 2016

  Martin Cloonan

  104-123

  2017-03-03

• Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp.

  Don Conway-Long

  181-184

  2013-06-06

• Putting a premium on music Exploring the vinyl revival in the Philippines

  Monika E. Schoop

  8-31

  2018-12-29

• God Bless come back new experiments with nostalgia in Indonesian rock

  Emma Baulch

  129-146

  2012-01-31