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• UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s

  Robin Ryan

  106-109

  2015-10-06

• Robin Ryan in conversation with Mark Cain: Kernels of Discovery Original musical instruments and acoustic sound designs

  Robin Ann Ryan, Mark Bradley Cain

  25-51

  2016-06-06

• DOWN INTO THE FIRE A Case Study of a Popular Music Recording Session

  Jon Fitzgerald

  63-77

  2015-10-06

• Emo online networks of sociality/networks of exclusion

  Rosemary Overell

  141-162

  2011-02-27

• Virtual shakuhachi with dai-shihan Michael Chikuzen Gould Shakuhachi learning before and during the pandemic

  Sarah Renata Strothers

  81–86

  2021-08-28

• Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press.

  Tony Mitchell

  100-102

  2015-09-30

• AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement 1

  Bruce Johnson

  49-64

  2015-10-06

• THE RECONCILING OF PORT FAIRY SPIRITS The politics of Aboriginal reconciliation in an Australian Folk Festival recording

  Jill Stubbington

  84-105

  2015-10-05

• Dialing In The Sound of Television in the Pacific Region

  Mark Evans

  5-13

  2009-04-30

• Book Review: Moskowitz, Marc L. 2010. Cries of Joy, Songs of Sorrow: Chinese Pop Music and its Cultural Connotations. Honolulu: University of Hawai’i Press. ISBN 978-0-8248- 3369-5 (hbk), 978-0-8248-3422-7 (pbk). 165 pp.

  Nancy Guy

  191-193

  2012-01-31

• Review: Coplan, D. (2008) In Township Tonight! South Africa’s Black City Music and Theatre. (Second Edition) Chicago: University of Chicago Press

  Robert G. H. Burns

  124-126

  2009-04-30

• TEETH-GRITTED HARMONIES Music programming and policy on Australian public radio- a case study of four Sydney stations

  Katrina McManus

  75-83

  2015-09-29

• Gilding the pearl cultural heritage, sexual allure and polychromatic exoticism on Hainan island

  Philip Hayward, John Fangjun Li

  119-140

  2011-02-27

• AFTER THE LAW Sydney's Phoenician Club, the New South Wales Premier and the death of Anna Wood

  Shane Homan

  56-83

  2015-10-05

• Soundscapes in Vedic metal a perspective from Singapore

  Eugene Dairianathan

  167-189

  2012-01-31

• CLIMBING THE ROCK The New Zealand Music Industry

  Roy Shuker

  16-27

  2015-10-03

• JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI'I

  Andrew N. Weintraub

  78-89

  2015-09-30

• Malaysian composers, geopolitical spaces and cultural difference

  Jonas Ureta Baes

  33-44

  2011-09-23

• STAR MOVES Choreography, Choreographers and Australian Music Video

  Rachael Gorham, Arielle Nakache

  23-37

  2015-10-02

• Introduction Something in the Water

  Denis Crowdy, Mark Evans

  137-143

  2009-11-11

• Playing bluegrass in Australia across country and folk scenes

  Miriam Amy Jones

  131-153

  2017-10-03

• Tokita, Alison McQueen and David W. Hughes, eds. 2008. 'The Ashgate Research Companion to Japanese Music'. Aldershot: Ashgate. ISBN 978-0-7546-5699-9 (hbk). 446 pp

  Henry Johnson

  225-228

  2009-11-11

• Giving women a voice Christian songs and female expression at Kopiago, Papua New Guinea

  Kirsty Gillespie

  7-24

  2010-08-25

• ‘Sounding Japan’ traditional musical instruments, cultural nationalism and educational reform

  Henry Johnson

  11-32

  2011-09-23

• SIMPLY THE BEST? Tina Turner and the Sponsorship and Promotion of the Winfield Cup

  Annie Girodo, Janine Payoe

  8-22

  2015-10-02