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• ‘It Was COVID-19’ Keir Nuttall on life as a songwriter in the pandemic

  Gavin Carfoot

  40–46

  2021-08-28

• Stahl, Matt. 2013. 'Unfree Masters: Recording Artists and the Politics of Work'. Durham, NC and London: Duke University Press. ISBN 978-0-82235-343-0 (pbk). 296 pp.

  135-137

  2015-12-17

• Allen, Tony, with Michael Veal. 2013. 'Tony Allen: An Autobiography of the Master Drummer of Afrobeat'. Durham, NC and London: Duke University Press. ISBN 978- 0-8223-5577-9 (pbk). 199 pp

  Kent Anthony Windress

  141-143

  2015-12-17

• Johnson, Bruce, ed. 2010. Earogenous Zones: Sound, Sexuality and Cinema. London: Equinox. ISBN 1-8455-3318-6 (pbk). 256 pp.

  Caryl Flinn

  98-100

  2012-11-20

• Overell, Rosemary. 2014. Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan. London: Palgrave Macmillan. ISBN 978-1-13740-676-7 (hbk). 211 pp.

  Dexter L. Thomas Jr

  183-184

  2017-03-03

• Editorial Introduction

  Oli Wilson

  5-6

  2017-05-03

• Governmental as anything live music and law and order in Melbourne

  Shane Homan

  103-118

  2011-02-27

• Editorial introduction

  Shelley Brunt, Oli Wilson

  93-94

  2017-10-03

• Imagining Okinawa Japanese pop musicians and Okinawan music

  Matt Gillan

  177-195

  2009-11-11

• State of play Live original music venues in Western Australia

  Dawn Bennett

  49-66

  2010-08-25

• Signifiers of indigeneity in Australian and New Zealand popular music

  Oli Wilson

  25-47

  2010-08-25

• Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp

  Matthew Bannister

  81-82

  2017-05-03

• Guilbault, Jocelyne, and Roy Cape. 2014. Roy Cape: A Life on the Calypso and Soca Bandstand. Durham, NC: Duke University Press. ISBN 978-0-8223-5760-5 (hbk), 978-0-8223-5774-2 (pbk). 304 pp.

  Richard Elliott

  192-194

  2017-03-03

• Johnson, B., ed. 2016. Antipodean Riffs. Sheffield: Equinox. ISBN 978-1-78179-2-803 (hbk). 306 pp.

  Lauren Istvandity

  79-80

  2017-05-03

• Elliott, Richard. 2013. 'Nina Simone'. Icons of Pop Music series. Sheffield: Equinox Publishing. ISBN 978-184553-988-7 (pbk). 168 pp

  Diane Hughes

  148-149

  2015-12-17

• Gregory, G. 2012. Send in the Clones: A Cultural Study of the Tribute Band. Sheffield: Equinox. ISBN 978-1-84553263-5 (hbk); 978-1-84553-245-1 (pbk). 172 pp.

  Eric Haanstad

  175-176

  2014-01-30

• Negotiation and hybridity in new Balinese music Sanggar Bona Alit, a case study

  Manolete Mora

  45-68

  2011-09-23

• Gardner, Abigail. 2015. PJ Harvey and Music Video Performance. Ashgate Popular and Folk Music series. London: Routledge. ISBN 978-1-4724-2418-1 (hbk); ISBN 978-1-4724-2419-8 (ebk); ISBN 978-1-4724-2420-4 (epub). 192 pp

  Ariane Gruet-Pelchat

  88-90

  2016-06-06

• The success of hopelessness the evolution of Korean indie music

  Hyunjoon Shin

  147-165

  2012-01-31

• Ralf von Appen, André Doehring and Allan F. Moore, eds. 2015. Song Interpretation in 21st-Century Pop Music. Surrey: Ashgate. ISBN 978-1-47242-800-4 (hbk). 282 pp.

  Donna Weston

  197-199

  2017-03-03

• HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)'

  John Whiteoak

  115-119

  2015-10-06

• DOMESTIC EXOTICISM A recent trend in Japanese popular music

  Toru Mitsui

  1-12

  2015-10-05

• Plasketes, George, ed. 2013. Please Allow Me to Introduce Myself: Essays on Debut Albums. Farnham, Surrey and Burlington, VT: Ashgate. ISBN 978-1-4094-4176-2 (hbk). 250 pp.

  Nick Braae

  89-90

  2015-03-09

• Introduction

  Denis Crowdy, Mark Evans

  99-101

  2011-02-27

• Introduction

  Denis Crowdy, Mark Evans

  5-6

  2010-08-25