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• Music review: 'In a State of Flux: An Experimental Music Gallery', 18 September 2015. Creators: Chris Tonkin and Ashley Smith, with the UWA Young Artists

  Patricia Alessi

  150-152

  2015-12-17

• Heining, Duncan. 2012. 'Trad Dads, Dirty Boppers and Free Fusioneers': British Jazz, 1960–1975. Sheffield: Equinox. ISBN 978-1-8455-3405-9 (hbk). 486 pp

  Norman Lawrence Meehan

  175-176

  2015-09-07

• Stratton, Jon. 2016. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. New York: Routledge. ISBN 978-1-47242-978-0 (hbk). 232 pp.

  Rachel Tollett

  188-189

  2017-03-03

• Turner, Katherine L. 2016. This is the Sound of Irony: Music, Politics and Popular Culture. Farnham, Surrey: Ashgate. ISBN 978-1-4724-4259-8 (hbk). 257 pp.

  Melvin Backstrom

  185-187

  2017-03-03

• Dan, Henry ‘Seaman’ and Karl Neuenfeldt. 'Steady Steady: The Life and Music of Seaman Dan'. Canberra: Aboriginal Studies Press. ISBN 978-1-922059-208 (pbk). 170 pp.

  Bruce Johnson

  180-181

  2015-09-07

• Standing in/out The platformization of Tencent’s TME Live in post-pandemic China

  Weida Wang

  56–62

  2021-08-28

• Scannell, John. 2012. 'James Brown'. Sheffield: Equinox. ISBN 978-1-84553-743-2 (pbk). 168 pp

  Anne Danielsen

  177-179

  2015-09-07

• Eyre, Banning. 2015. Lion Songs: Thomas Mapfumo and the Music that Made Zimbabwe. Durham, NC: Duke University Press. ISBN 978-0-8223-5908-1 (hbk). 416 pp.

  Felicity Clark

  195-196

  2017-03-03

• De Kloet, Jeroen. 2010. China with a Cut: Urban Youth and Popular Music. Amsterdam: Amsterdam University Press. ISBN 978-9-08964-162-5 (pbk). 264pp.

  Andreas Steen

  100-101

  2012-11-20

• Olivier Julien, ed. 2008. Sgt. Pepper and the Beatles: It Was Forty Years Ago Today. Burlington, VT: Ashgate. ISBN 978-0-7546-6708-7 (pbk). 208pp.

  Rob Bowman

  79-80

  2013-10-18

• The impact of COVID-19 on music venues in regional South Australia A case study

  Rosie Roberts, Sam Whiting

  25–32

  2021-08-28

• Whose home; which island? displacement and identity in ‘My Island Home’

  Jon Stratton

  33-53

  2013-10-18

• Introduction

  Denis Crowdy, Mark Evans

  5-6

  2013-10-18

• Frederick Moehn. 2012. Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene. Duke University Press. ISBN 978-0-8223-5155-9 (pbk). 320pp. $24.95.

  Eric A. Galm

  81-83

  2013-10-18

• Riffing on course redesign Leveraging pedagogy for teaching music online

  Benjamin Phipps

  63–68

  2021-08-28

• Kotarba, Joe, Bryce Merrill, J. Patrick Williams and Phillip Vannini. 2013. 'Understanding Society through Popular Music'. 2nd ed. New York: Routledge. ISBN 978- 0415-64194-4 (hbk), ISBN 978-0415-64195-1 (pbk). 206 pp.

  138-140

  2015-12-17

• Make ’em laugh, make ’em cry The use of production music in Australian reality television series 'Nerds FC'

  Jon Fitzgerald

  15-37

  2009-04-30

• Johannes Brusila, Bruce Johnson and John Richardson, eds. 2016. Memory, Space, Sound

  Michael Ahlers

  97-98

  2018-12-29

• Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music.

  Anna Szemere

  99–100

  2020-09-22

• Hitchhiker’s guide to reality Devising an interdisciplinary radio play in a pandemic

  Briony Luttrell, Hannah Joyce Banks, Andy Ward, Lachlan Goold

  69–75

  2021-08-28

• WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA

  Tony Mitchell

  1-16

  2015-09-29

• Novak, David. 2013. Japanoise: Music at the Edge of Circulation. Durham NC: Duke University Press. ISBN 978-0-8223-5392-8 (pbk). 292 pp.

  Rosemary Overell

  19-

  2015-03-09

• Sonic psychogeography A poetics of place in popular music in Aotearoa/New Zealand

  Tony Mitchell

  145-175

  2009-11-11

• Editorial introduction

  Oli Wilson, Shelley Brunt

  5–9

  2021-08-28

• An Interview with Damian Wright Flamenco and the discourse of World Music in Contemporary Australia

  Brent Keogh

  71-82

  2016-06-06