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• Introduction

  Kirsten Zemke

  113-115

  2021-07-08

• Michael E. Veal and E. Tammy Kim, eds. 2016. 'Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies'

  Nabeel Zuberi

  86-88

  2018-12-29

• Michael Austin, ed. 2016. 'Music Video Games: Performance, Politics, and Play'

  Sebastian Diaz-Gasca

  92-93

  2018-12-29

• Planes of illusion music soundtrack, rendition and attribution in 'Sanctum' (2011)

  Jon Fitzgerald, Philip Hayward, David Brennan

  111-126

  2013-06-06

• Editorial Introduction

  Shelley Brunt, Oli Wilson

  5-7

  2018-12-29

• Prickly Jim A Collaboration between Sam Stonnell and Lydia Hill

  Lydia Hill, Sam Stonnell

  81–86

  2023-01-31

• Introduction

  Mark Evans, Denis Crowdy

  5-6

  2015-03-09

• Toby Martin. 2015. Yodelling Boundary Riders: Country Music in Australia since the 1920s.

  Natalie Rhook

  105–106

  2020-09-22

• Editorial introduction

  Catherine Hoad

  1–4

  2023-01-31

• Michelle Phillipov. 2012. Death Metal and Music Criticism: Analysis at the Limits. Lanham, MD: Lexington Books. ISBN 978-0-7391-6459-4 (hbk). 158pp.

  Ross Hagen

  187-188

  2013-06-06

• Åse Ottosson. 2016. 'Making Aboriginal Men and Music in Central Australia'

  Henry Johnson

  89-91

  2018-12-29

• Philip Tagg. ‘Scotch Snaps: The Big Picture’. Online video documentary located at http://www.youtube.com/watch?v=3BQAD5uZsLY and also http://tagg.org/ptavmat.htm (1 hour 15 mins)

  Bruce Johnson

  86-87

  2013-10-18

• Pandemic pedagogy and facilitating connection

  Katherine In-Young Lee

  182–188

  2021-12-21

• Keam, Glenda, and Tony Mitchell, eds. 2011. Home, Land and Sea: Situating Music in Aotearoa New Zealand. Auckland: Pearson. ISBN 978-1-44251-632-8 (pbk). 320 pp.

  Matthew Bannister

  95-97

  2012-11-20

• Is this the real life? Is this just fantasy? Rocketman (2019) and Bohemian Rhapsody (2018)

  Alison Blair

  92–98

  2020-09-22

• Editorial introduction

  Shelley Brunt, Oli Wilson

  5–7

  2020-09-22

• Introduction

  Denis Crowdy, Mark Evans

  5-6

  2012-11-20

• The role of communication technologies between choreographer and composer during Aotearoa/New Zealand’s COVID-19 response

  Jesse Austin-Stewart, Jason Wright

  103–110

  2021-12-21

• Pre-existing conditions Precarity, creative justice and the impact of the COVID-19 pandemic on the Victorian music industries

  Catherine Strong, Fabian Cannizzo

  10–24

  2021-08-28

• In Melbourne tonight Pop/rock histories and futures

  Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt

  95-109

  2017-10-03

• Perth, unreal city Perth in the song lyrics of artists from elsewhere

  Jon Stratton

  144-163

  2017-03-03

• Andy Bennett and Jon Stratton, eds. 2010. Britpop and the English Music Tradition. Farnham: Ashgate. ISBN 978-0-7546-6805-3 (hbk). 225pp. £55.00.

  Gwen Bouvier

  84-85

  2013-10-18

• Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp

  Catherine Hoad

  77-78

  2017-05-03

• Introduction

  Denis Crowdy, Mark Evans

  109-110

  2013-06-06

• Roy Shuker. 2010. Wax Trash and Vinyl Treasures: Record Collecting as a Social Practice. Burlington, VT: Ashgate. ISBN 978-0-7546-6782-7 (hbk). 223pp.

  Robert W. Fry

  185-186

  2013-06-06