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• An interview with Rebekah Duke Melbourne’s inner-northern live music venues and social scenes

  Samuel Charles Whiting

  121-131

  2015-12-17

• Mutiny Music A Sonic Passage Between Islands

  Joseph Cummins

  9-28

  2015-12-17

• Making metal work Working lives of metal musicians in Aotearoa/New Zealand

  Catherine Hoad, Ian Moore

  22–42

  2023-01-31

• ‘Another Day to Swing on Clothes Lines’ The Bee Gees and Australia

  Pat O'Grady

  29-47

  2017-05-03

• Popular music, cultural policy, and the Festival of Pacific Arts

  Dan Bendrups

  158-174

  2014-01-30

• Music festivals and regional development policy towards a festival ecology

  Chris Gibson

  140-157

  2014-01-30

• Electronic dance music, the rock myth, and authenticity

  John Gunders

  147-159

  2013-06-06

• New age music and Japanese tradition Kitaro Live in Yakushiji

  Kimi Coaldrake

  49-68

  2012-11-20

• Tracing the lines of an electronic tattoo The covert operation of Melbourne techno

  Botond Vitos

  51-70

  2015-12-17

• Star-spangled 'Shamisen' In search of the Jimi Hendrix of the… [insert instrument here]

  Brent Keogh

  68-85

  2018-12-29

• ‘It was hard before and it’s even harder now’ The impact of COVID-19 on Australia’s live music and arts entertainment industries

  Kat Nelligan, Pariece Nelligan

  144–158

  2021-12-21

• The Necks at 25 a changing same?

  Tony Mitchell

  55-77

  2013-10-18

• Creative collaboration in the cloud Using Splice Studio and Audiomovers to enhance online music education outcomes

  Barry Hill

  173–181

  2021-12-21

• Indigenizing a ‘canon’ The entry of ‘My Island Home’, ‘Baba Waiar’ and ‘Kulba Yaday’ into the repertoire of community choirs

  Julie Rickwood

  45-65

  2015-03-09

• Introduction policy and popular music

  Jennifer Cattermole, Martin Cloonan, Shane Homan

  95-99

  2014-01-30

• Rationales in flux Charting transcultural Polynesian music-making processes

  Andrew Faleatua

  107-121

  2019-12-04

• German-Indigenous musical flows at Ntaria in the 1960s Tiger Tjalkalyeri’s rendition of ‘Silent Night’, or what is tradition anyway?

  Andrew Wright Hurley

  7-21

  2015-03-09

• ‘Lookin, searchin, seekin, findin’ A new beat

  Shelley Brunt, Oli Wilson, Catherine Strong

  105-111

  2015-09-07

• No Fixed Address, but currently in East Berlin The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988

  Andrew Wright Hurley

  129-148

  2015-09-07

• An interview with King Kapisi, Awanui Reeder and Ryan Monga Riffing on Pacific festivals and the notion of 'Pacific music’

  Jared Mackley-Crump

  87-99

  2015-12-17

• ‘Nonagon infinity opens the door!’ Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard

  Paul Ballam-Cross

  68–91

  2020-09-22

• An interview with Ben Grayson From digital sampling and appropriation to remixing and the affordances of technology

  Gene Shill

  161-171

  2019-12-04

• A sense of displacement Longing for past heritage in Olde Throne’s black metal

  Giordano Calvi

  70–80

  2023-01-31

• ‘Suck more piss’ how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity

  Paul Oldham

  120-139

  2014-01-30

• Bennett, Andy, and Steve Waksman, eds. 2015. 'The SAGE Handbook of Popular Music'. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp

  Åse Ottosson

  144-147

  2015-12-17