Vol. 20 No. 1

Published: 2020-09-22

Introduction

Editorial introduction

Shelley Brunt, Oli Wilson

5–7
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Articles

Experiences and perceptions of gender in the Australian music industry

Hannah Mary Fairlamb, Bianca Fileborn

8–39
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Not given lightly Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand

Matthew Bannister

40-67
- Requires Subscription or Fee PDF (GBP 23)
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‘Nonagon infinity opens the door!’ Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard

Paul Ballam-Cross

68–91
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Riffs

Is this the real life? Is this just fantasy? Rocketman (2019) and Bohemian Rhapsody (2018)

Alison Blair

92–98
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Reviews

Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music.

Anna Szemere

99–100
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Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock.

Brent Keogh

101–104
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Toby Martin. 2015. Yodelling Boundary Riders: Country Music in Australia since the 1920s.

Natalie Rhook

105–106
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