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  1. Home /
  2. Archives /
  3. Vol. 20 No. 1

Vol. 20 No. 1

Published: 2020-09-22

Introduction

  • Editorial introduction

    Shelley Brunt, Oli Wilson
    5–7
    • PDF
    • HTML

Articles

  • Experiences and perceptions of gender in the Australian music industry

    Hannah Mary Fairlamb, Bianca Fileborn
    8–39
    • Requires Subscription or Fee PDF (GBP 23)
    • Requires Subscription or Fee HTML (GBP 23)
  • Not given lightly Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand

    Matthew Bannister
    40-67
    • Requires Subscription or Fee PDF (GBP 23)
    • Requires Subscription or Fee HTML (GBP 23)
  • ‘Nonagon infinity opens the door!’ Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard

    Paul Ballam-Cross
    68–91
    • Requires Subscription or Fee PDF (GBP 23)
    • Requires Subscription or Fee HTML (GBP 23)

Riffs

  • Is this the real life? Is this just fantasy? Rocketman (2019) and Bohemian Rhapsody (2018)

    Alison Blair
    92–98
    • Requires Subscription or Fee PDF (GBP 23)
    • Requires Subscription or Fee HTML (GBP 23)

Reviews

  • Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music.

    Anna Szemere
    99–100
    • PDF
    • HTML
  • Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock.

    Brent Keogh
    101–104
    • PDF
    • HTML
  • Toby Martin. 2015. Yodelling Boundary Riders: Country Music in Australia since the 1920s.

    Natalie Rhook
    105–106
    • PDF
    • HTML

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