Vol. 8 No. 4

Published: 2015-10-03

Introduction

Introduction

Mark Evans, Denis Crowdy

1-2
- PDF

Articles

WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia

Martin Cloonan

3-24
- Requires Subscription or Fee PDF (GBP 23)
BEYOND THE SAKURA WALTZ Reflections on the encounter between German and Japanese jazz, 1962–1985

Andrew W. Hurley

25-43
- Requires Subscription or Fee PDF (GBP 23)
TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture

Philip Hayward, Sueo Kuwahara

44-63
- Requires Subscription or Fee PDF (GBP 23)
THE MASTERING PROCESS AND THE SYSTEMS MODEL OF CREATIVITY

Philip McIntyre, Bryan Paton

64-81
- Requires Subscription or Fee PDF (GBP 23)

Reviews

Drewett, M and Cloonan, M (eds) (2006) Popular Music Censorship in Africa, Aldershot: Ashgate

Jon Stratton

82-83
- PDF
Hayward, P (2006) Bounty Chords: Music, Dance and Cultural Heritage on Norfolk and Pitcairn Islands, Eastleigh: John Libbey and Co

John Whiteoak

83-85
- PDF
Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press

Bruce Johnson

85-87
- PDF
Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books

April K. Henderson

87-90
- PDF