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  1. Home /
  2. Archives /
  3. Vol. 8 No. 4

Vol. 8 No. 4

Published: 2015-10-03

Introduction

  • Introduction

    Mark Evans, Denis Crowdy
    1-2
    • PDF

Articles

  • WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia

    Martin Cloonan
    3-24
    • Requires Subscription or Fee PDF (GBP 23)
  • BEYOND THE SAKURA WALTZ Reflections on the encounter between German and Japanese jazz, 1962–1985

    Andrew W. Hurley
    25-43
    • Requires Subscription or Fee PDF (GBP 23)
  • TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture

    Philip Hayward, Sueo Kuwahara
    44-63
    • Requires Subscription or Fee PDF (GBP 23)
  • THE MASTERING PROCESS AND THE SYSTEMS MODEL OF CREATIVITY

    Philip McIntyre, Bryan Paton
    64-81
    • Requires Subscription or Fee PDF (GBP 23)

Reviews

  • Drewett, M and Cloonan, M (eds) (2006) Popular Music Censorship in Africa, Aldershot: Ashgate

    Jon Stratton
    82-83
    • PDF
  • Hayward, P (2006) Bounty Chords: Music, Dance and Cultural Heritage on Norfolk and Pitcairn Islands, Eastleigh: John Libbey and Co

    John Whiteoak
    83-85
    • PDF
  • Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press

    Bruce Johnson
    85-87
    • PDF
  • Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books

    April K. Henderson
    87-90
    • PDF

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