'Like him or loathe him'

critical reactions to André Rieu in Australia

Authors

  • Sarah Keith Macquarie University

DOI:

https://doi.org/10.1558/prbt.v13i1.7

Keywords:

arts funding, classical music, midcult, Rieu

Abstract

Since 2007, André Rieu CDs, DVDs, television shows and concerts have saturated Australian media. Consequently, Rieu’s popularity—the extent of which is remarkable for a classical musician—has drawn significant attention from commentators, critics and musicians, much of which is negative in tone. This article describes the criticisms made of Rieu in the Australian media, and explores the socio-cultural motivations for these reactions. It explores Rieu’s position as a liminal classical and ‘popular’ musician, and proposes that Rieu can be viewed as a symptom of a diminishing cultural hierarchy. It furthermore associates criticism of the Rieu ‘phenomenon’ with anxieties about Arts status and funding in Australia, and proposes that disapproval of Rieu is used as a proxy for more general condemnations of Australian tastes.

Author Biography

Sarah Keith, Macquarie University

Sarah Keith is Lecturer in Music and Media at the Department of Media, Music, Communication, and Cultural Studies, Macquarie University. Her research includes music and performance technologies, documentary music, and contemporary music production.

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Published

2012-11-20

How to Cite

Keith, S. (2012). ’Like him or loathe him’: critical reactions to André Rieu in Australia. Perfect Beat, 13(1), 7–27. https://doi.org/10.1558/prbt.v13i1.7

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Articles