Imag(in)ing the Anthropocene

Nature Films and/as Creation Tales

Authors

  • Luis A. Vivanco University of Vermont

DOI:

https://doi.org/10.1558/jsrnc.39468

Keywords:

Nature and wildlife film and television, film and religion, popular culture, Anthropocene, rewilding, mass media and environment

Abstract

The popular association of nature films with scientific objectivity and secular environmentalism obscures how these films also deploy mythological, etiological, and cosmogonic symbols, themes, and narratives to create worlds that appeal to audiences. From Disney’s Nature’s Half Acre to March of the Penguins, nature films have employed technical artifice to show nature ‘as it is’, and at the same time operated as a means of storytelling about Creation as a sublime order suffused with meaning and purpose. But in these films, humans largely remained outside the ‘natural’ field of reference. At the threshold of the Anthropocene, in which concerns about human responsibility for degraded planetary conditions are highlighted, new films like Racing Extinction and the Earth—A New Wild series have explored the potential of creating alternative imaginary and visual worlds of nature that include humans, to support the generation of renewed moral purpose for addressing the global ecological crisis.

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Published

2020-04-29

How to Cite

Vivanco, L. A. (2020). Imag(in)ing the Anthropocene: Nature Films and/as Creation Tales. Journal for the Study of Religion, Nature and Culture, 13(4), 510–530. https://doi.org/10.1558/jsrnc.39468